Indonesian film studio Imajinari is stepping into exciting new territory with its latest project, Pulang Kampung—a Batak musical film that promises to blend cultural authenticity with modern cinematic storytelling. Officially announced on April 17, 2026, the film has already generated buzz since its early introduction at JAFF Market 2025.
Directed and written by Bene Dion Rajagukguk, the film also brings in Kristo Immanuel as co-director, marking a collaborative effort that aims to push creative boundaries. Adding further depth to the project, renowned musician Viky Sianipar joins as music director, reimagining traditional Batak songs with a contemporary twist.
Producer Ernest Prakasa shared that the idea immediately stood out. For Imajinari, known for its original storytelling, Pulang Kampung represents both a challenge and an opportunity—especially as the studio ventures into the musical genre for the first time.
At the heart of the story is Daniel, a young Batak man raised in Jakarta who is reluctantly pushed by his parents to run as a legislative candidate in his ancestral hometown. However, what begins as a political obligation turns into a personal journey when he returns to his roots and meets Uli, a local woman who introduces him to the richness of Batak culture. Through this encounter, Daniel is forced to confront questions about identity, belonging, and love.
The lead roles are entrusted to rising talents Axelo Nababan and Vanessa Zee, both finalists from Indonesian Idol Season 13. While Axelo has had some prior acting experience, this marks his big-screen debut, alongside Vanessa’s first acting role. Their casting reflects not only their vocal strength but also their commitment to growing as performers. The film also features celebrated singer Judika, adding star power and musical credibility to the ensemble.
Production for Pulang Kampung is set to begin on April 23, 2026, with filming scheduled for 26 days across stunning locations in North Sumatra, including the iconic Lake Toba and Samosir Island, as well as Jakarta. These settings are expected to play a vital role in capturing the cultural and emotional essence of the story.
Unlike typical film productions, Pulang Kampung requires an extended preparation period of up to six months. The process includes intensive script readings, choreography rehearsals, and vocal training sessions. According to Bene Dion, this project involves a much larger and more specialized team than his previous works, including vocal coaches, dance choreographers, and composers dedicated to crafting each musical sequence.
One of the film’s most compelling elements lies in its music. Traditional Batak songs will be rearranged by Viky Sianipar, combining indigenous sounds with modern arrangements to create a fresh yet respectful interpretation of cultural heritage. This approach not only revitalizes traditional music but also introduces it to a wider, younger audience.
More than just entertainment, Pulang Kampung represents a cultural milestone. It is poised to become Indonesia’s first Batak musical film, opening doors for new talent and bringing underrepresented stories to the forefront. As Viky Sianipar noted, the film also creates space for emerging Batak actors—something rarely seen in mainstream Indonesian cinema.
With a compelling narrative, fresh faces, and a strong creative team, Pulang Kampung stands as one of the most anticipated Indonesian films in development. It is a story about returning home—not just physically, but emotionally and culturally.
And in doing so, it may just bring audiences closer to the heart of Batak identity than ever before.
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